Whiteness continually redraws the lines of connection between Blackness and animality as a way to both dehumanize and fetishize, and uses the perceived purity and inherent value of white women as the foundation for that work: “Because horror texts are the perfect vehicles for audiences to contend with collective anxieties, horror texts created for white audiences will often rest on their fears of phantasmagorical Blackness (see: White Zombie (1932), I Walked With A Zombie (1943), Candyman (1992), The Skeleton Key (2005), Bag of Bones (2011), etc.).This is also true of films in other genres, like The Birth of a Nation (1915) and Mandingo (1975), and it is no coincidence that so many of these stories place white women and the obsessive need to protect them from Black men at the center.This is a subject that is interesting to both Black women and White men.
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